![]() ![]() The freeware ReaFIR plug‑in is included with Cockos Reaper DAW.Ideally you won’t have much noise to contend with in the first place, and it’s true that the better the recording, the less you’ll need to do. Once I’ve edited and comped my ‘perfect take’, I bounce the vocal into one long track that lasts from the start of the song to the end, and the first thing I then reach for is a noise removal tool. Next month, I’ll conclude this two‑part mini‑series with some tips for handling your vocals in the mix itself. It won’t be a comprehensive discussion of vocal prep‑work, but what’s here works well for me - and I hope it will help you too. So, in this article I’ll take you step by step through my own approach to this mix‑prep stage for vocals. In fact, in my experience, there’s plenty more you can do to your recorded vocals to maximise your chances of achieving a great end result. right?Īctually, just having this wonderful performance in your DAW doesn’t mean it’s ready to mix. Now you’re ready to get busy with the mix. You already understand that, of course - which is why you made the effort to find the perfect mic for your voice, record some great takes, and even do a little comping to leave you with the best possible performance. If your song has a lead vocal, will almost always be the most important element in the mix: it’s the conversation that forms a bond between performer and listener, the teller of the song’s story, and the focus to which other instruments give support. ![]() Once you’ve recorded, edited and comped your vocals, a little careful prep work could pay real dividends when it comes to the mix.
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